Jumat, 23 September 2011

[M883.Ebook] Ebook Download Aura, by Carlos Fuentes

Ebook Download Aura, by Carlos Fuentes

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Aura, by Carlos Fuentes

Aura, by Carlos Fuentes



Aura, by Carlos Fuentes

Ebook Download Aura, by Carlos Fuentes

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Aura, by Carlos Fuentes

Felipe Montero is employed in the house of an aged widow to edit her deceased husband's memoirs. There Felipe meets her beautiful green-eyed niece, Aura. His passion for Aura and his gradual discovery of the true relationship between the young woman and her aunt propel the story to its extraordinary conclusion.

  • Sales Rank: #628849 in Books
  • Brand: Brand: Ediciones Era
  • Published on: 2010
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: .18" h x 5.28" w x 7.62" l, .15 pounds
  • Binding: Paperback
  • 61 pages
Features
  • Used Book in Good Condition

Review
"When you finish, you . . . have gone through a total experience, a beautiful horror story, a horrifying story of beauty, a combination of Poe, Baudelaire, and Isak Dinesen, translated so agilely by Lysander Kemp that it seems to have been written in English."--Newsweek
--Review

"When you finish, you . . . have gone through a total experience, a beautiful horror story, a horrifying story of beauty, a combination of Poe, Baudelaire, and Isak Dinesen, translated so agilely by Lysander Kemp that it seems to have been written in English." --Newsweek

Language Notes
Text: English, Spanish

About the Author
Carlos Fuentes, born in Panama in 1928, has received many awards for his accomplishments as a novelist, essayist, and commentator, among them the Cervantes Prize. He is the author of more than twenty books, most recently (in the United States) Inez. Other Fuentes titles from FSG include Old Gringo, The Death of Artemio Cruz, and The Good Conscience. He divides his time between Mexico City and London.

Most helpful customer reviews

35 of 37 people found the following review helpful.
Juntos para siempre
By A Customer
En el libro Aura, el autor Carlos Fuentes hace una crítica de la época colonial, cuando los mexicanos no tenían la libertad. Fuentes publicó este libro en 1965. El cuento tiene lugar en México. Un hombre joven, Felipe Montero, ve un anuncio para un trabajo que parece ser para él y solamente él. Felipe va a una entrevista con la mujer vieja que está ofreciendo el trabajo. Él acepta el trabajo en la mansión colonial después de ver los ojos de la sobrina bonita de la mujer. Felipe trabaja en la mansión, y no tiene permiso para salir. Él nota muchas cosas raras, que incluyen una conexión extraña entre Aura, la sobrina, y su tía, la Sra. Llorente. Él quiere ayudar a Aura para que ella pueda escapar el control de su tía. Felipe también se siente una conexión con Aura. Una noche Felipe y Aura hacen el amor, pero Felipe ve a la Sra. Llorente en el cuarto después del acto. La Sra. y Aura parecen hacer las mismas acciones todo el tiempo. Durante su trabajo, Felipe ve una foto del Coronel Llorente, el esposo muerte de la Sra. Se da cuenta de que él mismo tiene una cara igual al Coronel. También se da cuenta de que la conexión entre Aura y la Sra. Llorente es más que el control. Él también se siente una conexión con las mujeres y la casa, y empieza de sentirse en casa.
Me gusta este libro. Carlos Fuentes usa elementos fantásticos y imágenes opuestas para criticar la época colonial y los apoyantes de esta época. Fuentes muestra que la época colonial no es real, que ya no existe. Unos ejemplos de estes elementos fantásticos son el nombre "Aura," que indica algo místico, la conexión entre Aura y Sra. Llorente, y las caras iguales de Felipe y el Coronel Llorente. Fuentes usa las imágenes opuestas para mostrar que las personas que apoyan el periodo colonial están viviendo en un mundo de sueños. Un ejemplo es la mansión colonial situada entre tiendas modernas. Otro ejemplo es el cuarto de Felipe. Recibe mucha luz, y al principio del cuento Felipe cree que todavía está conectado al mundo. Esto no es cierto, sin embargo; Felipe está atrapado en la casa. Finalmente, hay símbolos del cristianismo. Aura lava los pies de Felipe, los carácteres rompen y comen el pan, y hay una figura de Jesucristo en un cuarto. Sin embargo, el cristianismo no está verdaderamente presente, porque la magia es la influencia principal en la casa.
Creo que Sra. Llorente crea a Aura para preservarse para siempre. También crea a Felipe para preserver al Coronel Llorente. Ella sabía que la réplica de su esposo existe y este es la razón que el anuncio fue perfecto para atraer a Felipe. Sra. Llorente quiere vivir con el Coronel para siempre por medio de Aura y Felipe. Ella quiere quedarse en el mundo colonial. Fuentes critica las personas como la Sra. Llorente que no avanzan y no aprecian un México libre. Yo recomiendo este libro.

18 of 18 people found the following review helpful.
Aura
By Damian Kelleher
Aura is a short story that is written beautifully, capturing the magic and horror of an old widow living with her niece and the secret that binds the two.
The plot is fairly basic, as there isn't really much time to get deep into any of the characters. There are only four, although that is debatable as one is only known through diary recollections. The prime focus of the story is Senora Consuelo, the ageing widow, as the young historian, Felipe Montero, hired to re-assemble her dead husband's memoirs learns more and more about their dark past. Felipe becomes obsessed with the ethereally beautiful niece, Aura, his dreams are filled with feverish images of her and him, together, declaring their love.
The novella is written in an interesting style, using 2nd person perspective (You did this, then you did that), and it works well. It means that we never really get an insight into Felipe's thoughts, but at the same time we only experience things through his eyes. The writing itself alternates between dark imagery involving religion, flowers, cats, and the house the story takes place within and obsessive beauty and fragility, as when Aura is described or mysterious things are occurring. Particularly haunting are the descriptions of the gloomy house filled with the refuse of fifty years of isolation.
The ending of the story wasn't expected, or at least, while I had an idea of what was going to occur, Fuentes took my expectations and extended them to a direction I hadn't predicted and was horrified with - but in the good way. This is a very dark story, and while there are flashes of beauty, these are generally shadowed by the somber tone and melancholy whisperings present throughout the novella. Highly recommended.

20 of 21 people found the following review helpful.
Un relato lleno de magia
By S. Hernandez
"Aura" ha causado controversia recientemente en Mexico, donde un grupo conservador trato de prohibirla como lectura escolar para adolescentes. Me toco leerla cuando fui alumna de un colegio catolico muy conservador... y nos encanto! Mas de 15 años despues, la relei y me sigue encantando. Para empezar, la narracion es en segunda persona, muy original! Te agarra desde el principio y no la puedes soltar. Desde la pagina uno, nos convertimos en protagonistas de un misterio que nos llama por nuestro nombre y no tenemos mas remedio que responder al llamado. Somos invitados a la casa de una anciana y su bella sobrina, una casa llena de gatos, de figuras de santos, de rituales, de misterios, y de amores olvidados que quieren renacer, cargados de sensualidad. Es un libro muy cortito (mi edicion tiene 62 paginas), pero da mucho para descubrir. El protagonista vive una historia de amor con una de las mujeres de la casa (o con las dos?) y durante ese tiempo, vemos referencias a tradiciones ya casi erradicadas de Mexico, como la santeria y el vudu. Todo mezclado con la influencia francesa que ayudo a moldear la "personalidad" de la Cd de Mexico y por supuesto, con la tradicion catolica tan fuertemente arraigada en este pais. En fin, una profesora mia hizo su tesis de maestria sobre AURA y dice que el mensaje de la obra es que solo en la medida en que las personas y los paises podamos recordar nuestro pasado, es que podremos aceptar el presente y mejorarlo.

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